Monday, August 25, 2008

Sample Letter To Use The Church

not trust the

No trust the hours ...
(written in Friulian and Italian translation )

the hour, who to trust No streams Olga SO veritât to challenge

nuje and dut-
contindude of crystal-sour
sbissiant and cuss me to imbrojà lis oris in the streets para vos

FRET
the steam from the Smore Monz
on the lis cuardis dîs between me and tell me - jo 'o soi mate of the

Pluie dutis -
- the puarta to je dong - sores name - Olga -
afezionât in Someo to JE spudada - Jolanda - bondieu! Par

sturnide withdrawal ... I
true bondantmentri presinte
is up to par fuercè slusoradis cimiin unto this dark

settings caring
tan justa 'prn to do that after the incontrari anchemò
to again become passe par une Biel - amicissie -


last row in the sixth and parsore dut mat ways ...
Intal commuters dut inchevolte the day that the diffizil

Count
Intal uncertain Pluie cert from the reeds sclète
chavej duch sdravàs in parks and at cha jevât

favelant
dut tininin says a couple and both it and poof ...

mixing good and evil ... you int ... su par tignosi the

Misurata
the dismagâ hand in hand ... ..
l'aghe sclice and the va ... and the tirâsù flat "short and you

tochin" Smola
to su to the Crot puarta ... say ... the same ...
pardon "Buin Tanche and good bread" as light and uncertain Scur

a poc a plâtasi
a su par Ju tininin meticolose al
some - maravèe - ch'al comes with dut to the changes with dis ...

lis Altro
in the bot-tun Lamp ... ... ...
the buinore Nanci indafarade never understood ... ... ... ristive to ringworm ringworm in
pont pont in mo ... juste!

Author: paola bell

(Italian translation )

I can not wait ...

I look forward to - Olga - his truth

challenge anything and everything
- strife - bitter, crystalline
tinker so I am a fool to put away the cold


boredom
fear of the mountains on the strings of the day and tell me - are the most crazy of all

!
-the door is ajar - just the latest - Olga -
affectionate this looks like and what a - Jolanda -

gud! For me dizzy ...
echo while true in the more present than ever to resist by force
flicker of light at the right point

caring
first then counter
even now to become a deeply recur - a beautiful friendship

- l ' Last
thinking back to the crazy all right and away you go ...
in fatigue all day to throw in the air ...


is often difficult to tell the genuine uncertainty
the hair all in disorder, however, always talking


head up a little bit of everything just for nothing ...

to control good and evil ... ... the rumor to keep up morale


to defuse a hand ... a hand ...
water splashing and go ... to pull on his breath "

few good words but" in
dilute the door ... I think ... disorderly
really "as good as bread" uncertain light and shadow to hide


more or less meticulous
a bit like - surprise - comes with everything to say ... with other


to change suddenly in a moment ... ...
never even happen as early ... ... ... stubborn ... busy to keep


to hold on ... just for the note!

Author: paola bell

ps-Friulian is my mother tongue

Wednesday, August 20, 2008

Tattoo Gay Muscle Earring

Reading Voltaire / / Lettura di un testo di Voltaire Voltaire



Reading tragedy The Orphan of China Voltaire, in the salon of Madame Geoffrin in Paris in the spring of 1755, painted by Anicet Charles Gabriel Lemonnier (1743 -1824) in 1812.

Table - currently in the Musée de la Malmaison - was executed well after the event, commissioned by Napoleon I, who wanted to honor the philosophers of the Enlightenment and especially Voltaire. One can recognize Maria Theresa Geoffrin sitting right at the forefront. Basically, the bust of Voltaire, in exile outside Paris, dominates assistance and serves as the axis of the painting on his left the minister Choiseul, his friend. Experts will recognize without difficulty Diderot, Marmontel and the intelligentsia any time, while the actor Le Kain, dressed in red, sat at a table with sheets of manuscript in hand, prepares to read the play. Behind the actress Clairon Lekain based on file with the player's chair, ready to give the reply.

Templet For Community Service Hour Letter

and OJ (again China, China always, already China) and Tomas Jane


I just bring water to the mill of the headlines ... forgive me if I swim against the tide ... (You must row, it's hard).

Political correctness has struck again, and also, dialectically, the politically incorrect ... at any time in these rough times you remember to hate China, wary
China, condemn China and if I carelessly throw a glance at the agenda of those who build this obsession I realize that the same agencies and interlocutors (trice) do not work nearly as "establish and strengthen ties between Europe (France, Italy, etc..) and China." What to do? Laugh? Cry? Fear? Ignore? Say that it will pass?

can at least smile as he recalls a special moment for the formation of European thought, decisive for the history of European (and global?): The 18th century, the century may be the brightest of our history , and the role China plays in the Enlightenment.

Chinese, atheists, then say the philosophers who give an example, enjoy a civilization born before pagan antiquity - and long before Christ - with laws, institutions, justice, arts , technology, morality. Might one not conclude, because the painting as sociable, polite, knowledgeable, fair, the world could exist without religion? And especially that morality could be sustained without religion based on the dogma of original sin. China, without knowing it, then provides arguments against Christian theologies that underpin the value of man on his only connection with the divine and its respect for religious rules.

Foremost among these philosophers Voltaire found (which is however not an atheist but a deist, he sometimes says theist) who, having made its critical capacity vis-à-vis Europe's criterion, uses the Middle Kingdom to better illustrate his thought. He opposes the fanaticism of the religious wars that were for centuries the cancer of Europe (the mid-18th century is still killing the Protestants in France during a war of extermination that lasted from 1685 to 1758 and that was called "The Dragonnades") tolerance of the Chinese emperors who received long Catholic missionaries without censoring or their thoughts or their missionary work.

Voltaire has met only once Chinese and he did not know the language but he considers himself a very experienced Sinologist. He writes frequently on the topic China. It really starts to take care when writing his Age of Louis XIV, about the question of the presence of Christians in Asia misionnaires but it was in 1755 by a play which he entitled The Orphan of China that the artistic treatment. It is noted that China had become fashionable several decades ago, thanks to the Italian theater in Paris: already in 1601 (following the receipt of a Chinese Embassy?) We play and dance to the court a Ballet Princes of China who made a splash ... After a few here and there harlequinades chinoisées during the reign of Louis XIV and the Regency, in 1752 the Italian company established in Paris presents "eroe cinese (Chinese hero) from a work by Pietro Metastasio, a room Voltaire is remembered for writing the orphan, and a comedy, "The Schiava cinese (Chinese slave) of the Abbe Chiari (rival of Goldoni in Venice), followed by a" Chinese rimpatriato "in 1753 which was immediately translated into French as "The Chinese returned" represented barely dried ink from the translation. In 1754 two French coins are data still in Paris: "The Chinese Feasts" and "The Chinese policy in France." Note that the Chinese are polite, virtue in the minds of Europeans will retain while skillfully combining the latest on deceit and hypocrisy. Apart from the Chinese Heroes, it is just comedy and jokes of course, nothing serious until Voltaire put it. (This is to say ... and depending on what is meant by "serious" ...!)

The Orphan of China , created at the Comedie French 20 August 1755, is clearly a tragedy . One of its features is that it is a tragedy that ends well. In fact it is a work of propaganda for the philosophy of Voltaire. That the subject wants is as exotic as a tribute to the writer makes the insatiable curiosity of his contemporaries to an 'elsewhere' ever-changing, renewing a successful operation which dates from 1721: the Letters , theoretically Persian , Montesquieu The playwright draws quite openly - he will report the loan in the Warning to the edition of his room - a room Chinese popular in Asian empire entitled The Orphan of the Zhao family Jun Ji Xiang (XIII - XIV century). A French translation by Father Prémare, a Jesuit, had been published, inserted into the Description of the Empire of China and Chinese Tartary of Father Jean-Baptiste Du Halde - another Jesuit - published in 1735 (it was almost the only book available at this truly documentary on China time). The exotic, less than the exact picture of manners which Voltaire ignores just about everything, will read in the sets and props and costumes in the actress Clairon and actor Le Kain, the two titans of the theater of the time. The Bugle in the role of Idame abandons dresses and baskets to embody Lekain Genghis Khan is a Mongolian costume, the two initiatives do. literally, sensation (see an overview of suits vintage illustration, supra) It must be said that the insistence of Voltaire for the theater of "Tatar costume" had strong reason to be, the success generated a revolution in art, oriented toward a certain realism of the set, after which operated in France, won Italy and England.

And the text? And the plot? Nothing much really ... Voltaire Chinese adaptation of the original which he likened to "monstrous farces of Shakespeare and Lope de Vega" changing the action at its discretion and the moving time of the taking of Peking by the Tartars in 1215. Genghis Khan had resolved to exterminate the Dynasty defeated in massacring the last shoot, saved by the Mandarin and his wife Zamti Idame who substituted their own child. But the subterfuge discovered, all are condemned to death. Genghis Idame then acknowledges that he loved in vain once. This sum is to give him or perish with all his family. When she goes to kill himself, Genghis intervenes. Won by so much generosity of spirit, forgiving: "Who can you inspire this design? "Your virtues.". Voltaire concludes on a positive note this tragedy to illustrate the triumph of "the natural superiority that give reason and engineering (ie him, Voltaire) on the strength blind and barbaric". Chinese civilization is praised for the high morals it draws Confucianism, ie, for the author in reason, wisdom and tolerance. Baron Grimm and Diderot demolish part but no matter Voltaire: his philosophy of human progress that focuses on the social laboratory still active, enriched by a new work and it enjoys immense popularity. ..

For in reality, more than a literary quarrel with Encyclopedists more than a theological confrontation with the Pope or the pastors of Geneva, Voltaire at this time and its delights torment of a different battle. He throws his forces in a philosophical debate with Jean-Jacques Rousseau (or rather with the philosophy of Rousseau, which measures the dangers arising from its utopian nature), a debate that will soon become a personal quarrel is not devoid of cruelty on both sides ... but for now the future Patriarch of Ferney leads the way: happy, spiritually intense and not without generous impulses. The Orphan ... replied brightly and annoying to the paradoxes of the author's theory of virtue and the natural goodness of man ... the first edition of the play will be accompanied a letter blend of reason and irony which Voltaire sarcastically thanked the author of Discourse on Inequality ... of his "new book against the human race."

The Italian comedians will build and play very quickly, in March 1756, a parody of the Orphan ... under the title The Magots , written by an author who remained anonymous because Voltaire was more or less lived in exile between Geneva and Lausanne to Paris but he kept very powerful friends. The satyr was also a success. In view of these successes (Part Voltaire was performed until March 1756) all the theaters of Paris felt inclined to exploit public enthusiasm for this remote civilization and we will send in the Middle Kingdom - virtually of course - Harlequin until poor who do not understand anything and sometimes take for Persia. China will not disappear scenes with the French First Empire.

Voltaire wrote later, the Chinese civilization and Confucian morality, Dialogues and articles for the Philosophical Dictionary, giving the kickoff to a temporary worship - that would have desired eternal and universal - the wisdom of the man he calls "Socrates the Chinese" and that he admires as a moralist. For years Paris, France, Europe discuss philosophical writings than in reality almost no one knows except through partial translations and approximate, much less seriously it will be disguised with Chinese, Tartar, Mongol. .. (or what we believe to be), the sets of tables, rooms, houses become Chinese, a Chinese garden architecture invade the princely mansions English, Russian, Danish, French, European porcelain factories will copy the hard parts imported from China ...
To European opinion for almost a century the Chinese people are the most free thinking! Nobody listens to the philosopher grumbling, poor Jean-Jacques Rousseau and sometimes penniless with no means to disseminate its thinking, which, in 1761, in his novel La Nouvelle Heloise , through the mouth of the protagonist deals with Saint-Preux Chinese barbaric hypocrites doomed to eternal slavery ... This response to the enthusiasm of Voltaire sinological go well on unnoticed.
Is there any need of authentic documents to philosophize? Voltaire, to its credit, tries to get information from multiple sources, look in the mores and institutions of China's true details. But once exhausted the publications of those who have traveled and lived in Asia, the documentary reveals substantive rather meager, the debate is dwindling and the philosophers of the Encyclopedia, to decide, call the Pope.
the Pope? Mercy! Resources rather Vatican. Is that the Catholic Church has long had to do with China (We can speak of expertise because the reports of the Pope with the Emperor were completed piteously for the Church). For centuries its more or less official envoys familiarized themselves with Asia. The archives of documents, letters and account reviews sent by Jesuit missionaries upon their arrival in China - St. Francis Xavier landed at Goa, May 6, 1542. The Jesuits will soon become the real experts from China and Asia. The problems begin when other missionary orders will want to get involved. It will take the Roman Catholic Church half a century - who was also a half-century of patience on the part Chinese people - NOT to settle the quarrel that opposed, from 1645 until about around 1715, the Jesuits missionaries of different orders (mostly Dominicans) all competitors in the race for the Christianization of China. The issue is the apparent laxity Jesuit who wrongly or rightly consider Christianized subjects who continue to practice ancient rituals of burial. At this permissiveness opposes theological rigor. the strictness other missionaries who would be condemned (and be able to prevent) what they called pagan rituals of . The real issue is elsewhere, course, in a power struggle within the Catholic Church which also has its field in Europe. The Dominicans will not happen because of the Jesuits assigned to the Tribunal of the Inquisition in Rome and the case-appear many times in this court. It will end momentarily to 1724: Chinese emperors, questioned in 1705 (to their surprise) in the dispute and angered by these arguments plus the arrival of missionaries in their territory many other Christian religions, eventually forbid all Christian missionaries to reside in China. An exception will be made in Macao where Chinese tiger gives consent to the presence of a Portuguese governor and a Catholic bishop. An innumerable materials on this ongoing matter lies in the Vatican archives, documents which also contain valuable information about this unknown country. Alas, the French philosophers will not have access, they will have to do with books pubbliés by the Jesuits and some English and Dutch traders. Ferney Voltaire, who has to maintain a Jesuit he generously, Father Adam - now suffers his pain and his chess partner - do not resign them with difficulty.

In the nineteenth century European versatile, be persuaded to retardation China by the proponents of colonialism, which did not bother warming of Confucianism. The Chinese have proved formidable commercial competitors, we must anticipate them demeaning. The Opium War, prompted by mercenary greed of the West, greatly contributes to the devaluation. We note in passing - as it would be easy to forget - that Voltaire was to make his countrymen more tolerant and able to design a sharing of national wealth (he took the trouble to realize at Ferney), while the Party had colonial exactly the desire contrary to that of the French people to the detriment of ruthless exploiters of other people that it was permissible - even advisable - to hate. (Ah, Monsieur Voltaire, decidedly I adore you with all your flaws)

Changing his mentors, France inevitably change of opinion about China: Voltaire wanted a beacon of tolerance? He had the intellectual and artistic to impose its views and Europe revered China. The leaders of the Parti Colonial a century later were given the means to make us despise. The times of struggle and of Mao's reign saw the whole avant-garde European intellectual become Pro-Chinese ... Why do they want us today and we will make it intolerable to convict the block? The modernization of China is not over, but the view through the lens of the historian, it will in any case much faster (still not a century since the fall of the Chinese empire in 1911) than was on ours.

My view (which is also the politically correct and politically incorrect that is not its opposite, trying to focus on their true meaning to the otherwise non-political, combat civil and citizen) does not overlook any reason nor opportunities to rebel against any repression of thoughts that work for the Love of Humanity and Respect the Earth (you'll notice the capital letters, I hope):

There are as many reasons to love Chinese and other peoples. Just like to hate. I find it useful to refuse to hate them. I hear too often in my opinion that they are felons, liars, cruel, hypocritical and dangerous at this particular time and multiply the votes in a particular Olympic event all means to them or they were good to carry a medal. I refuse to consider a course as a medal mark superiority (whether limited or extended to the individual to his nation). Their number does not impress me. I have many reasons to love Russian athletes and teams (I have excellent (e) s friend (s) in the Russian Orchestra of Moscow and is that not reason enough to support them passionately ?) and to desire their victory over the opposing teams and athletes ... to desire the victory of the Chinese teams, French, Italian, Mongolian, Algerian, Hawaiian, etc.. ad libitum , there is the choice. But I have even more reasons to hate everyone because ANY competition fills me where when and how whether it can or will be exercised.

When the Chinese rulers, accountable individually and / or group a number of barbaric acts and may be lawful under the laws in force (Ah ... Rousseau), assuming that power makes crazy, I put them in the same category as any man or woman political power whatsoever (many of them also shared responsibility with the Chinese government with regard to the most cruel acts) by assuming, where extremely rare, said that the ruler was not already crazy before coming to power, or - better said - before take power.

can do, if you will, within the category of nosological distinctions, nosographic and / or nosotaxiques. Sincerely
all of you, Olympics. Your
Claire

References literary on Voltaire are innumerable. I will not even try to make the list in a bibliography. Of all the books I know I recommend the book as biography Voltaire and the kingship of the spirit by Jean Orieux , A book regularly reissued in 1966 by Flammarion including pocket. Documented, entertaining, Mozart, this chronicle of a success is built or conceals faults and qualities of this love child of celebrity (said Sainte-Beuve), which was primarily a worker out of the ordinary, obsessive and relentless.
And on the subject of this post, Song Shun-Ching , a book that is a sum on Sinology Voltaire, Voltaire and China, published by Presses Universitaires de Provence, 1989.
Enjoy cutting-back ...

Sunday, August 10, 2008

How To Place Penise In Underwear

cons-dance / / Tomas Jane e contraddanzano

What Colour Shag Bands Mean

Dancing in the Regency / / ballare durante Reggenza inglese

Phx Az Laws On Pocket Bikes

Contredanse The time of Elisa

blow a bit ... In the previous

intermezzo (a video and a text on the only dance that danced Napoleon ) I proposed the story of a quadrille entitled the Monaco, with a short excerpt from a film Abel Gance . Unfortunately the film by Abel Gance, for he was brilliant, was not motivated by philological spirit, and the dancers will dance a minuet so brisk, foreign to the principles of the quadrille. It sees neither the English Channel nor Hunt - chased out of authenticity Monaco and also the dancers rarely face it ...

I have not found another document on this dance, but I offer two videos on the British theme of Contredanse. The two films - a short documentary on the role of dance and a document that brings together extracts - from the production of a film entitled "Becoming Jane" released in 2007. This film, based on a reconstruction extremely careful of England in the early 19th century, narrates the life of writer Jane Austen (1775-1817); philological as can be a great project and cultural history English, it is become an object of worship in England, the United States and worldwide.

The time is what the English called Regency, which is to say that the end of the reign of George III, his son the regency and reign of the latter under the name of George IV (1795 approximately -1825).

I named the first film more didactic Dancing in the Regency / Ballare Reggenza inglese durante and the second, more spectacular, and Tomas Jane cons-dance / Jane e Tomas contraddanzano . Another time I will propose an example of Dance Court Napoleonic period in the tradition of court dances of the eighteenth century and then go to Dances Theatre ... On the Contredanse, I wrote two articles on Wikipedia: one entitled Trénitz, a Master Dance Show at the time of the Executive and the other tells the story - of Italian descent - of the Carmagnole.
Votre C.



runs counter Elisa

a deep breath, a break ... In the previous

intermezzo - a video and a text on the only dance that Napoleon Bonaparte has never wanted to dance - I was talking to a contra call the Monaco , by giving a performance in a short video from the movie Napoleon by the French Abel Gance (in one color version). Unfortunately for those who love to dance, in this passage from the film the director did not show a spirit philological what the dancers danced in front of its cameras appears to be a sort of minuet the pace early and bright, free of important figures - such as Chaîne anglaise for example - and face to face without the typical contra. So if the music is actually one of the lounges and dance the dances of the court of the Napoleonic period, the result for the dance is far from the spirit of contra ...
I have not found any other document on Monaco. We therefore propose two videos produced in Britain on the subject of contra that come from the production of the film "Becoming Jane", filmed thorough biography of the writer Jane Austen, published in 2007. Reconstitution of England named Regency period (including the end of the reign of George III, son of the regency and the beginning of the reign of the Prince by the name of George IV, from 1795 to 1825 approximately) is indeed worthy of the philological and historical-cultural English major projects; the film is already the subject of worship in England, the United States and worldwide.
First you'll see a short documentary about the meaning of dance in English social history, I have titled this video Danser sous la Regence anglaise / dancing during the English Regency . I also propose a video more spectacular (and a bit 'longer) which comprises the steps of the original film dedicated to dance in the years of Jane Austen's youth (born in 1775 - he died in 1817) that during the late eighteenth and early nineteenth century, calling Tomas Jane et contre-dansent / Jane and Tomas contraddanzano . In the near

intermission there will be some court dances of the Napoleonic era, inherited from the eighteenth century dances or dances again brought to court. Later I see a glimpse of what they were dancing on the French stage

On the issue of Contredanse I wrote for two Wikipedia pages - in French, but translations into Italian will soon -. The first is a dance teacher in the salons of the Directory of the Consulate and Empire: This page is called Trenitz , named after the character of which I speak. The second relates the story of a dance revolutionary era of clear Italian origin, The Carmagnole . Your
C.

Saturday, August 9, 2008

Funny Program In A Birthday

End riddle number 2



Ce tableau me Represent ... yeah, yeah.

Iphigénie Comme, comme Polyxena, j'irai volontairement au sacrifice. J'ai d'abord think representer mon âme d'état actuel par une oeuvre ingénument kitsch intitulée "The Aveu" corn lurks could lead to misinterpretation (the person who confesses is visibly pregnant) and I found preferable to incarnate in the scene above, I prefer to die aesthetically and the anonymous author of Contemporary Vien this "Sacrifice of Iphigenia" nevertheless a sense of color and a good hand.
At least I hoped until the last moment intervention of a huntress goddess, whose arm I draw firm to a warmer sky, leaving the animal at the stake who will replace me under the knife or ( and?) under the ax (the holy water that will, if not too cold ...).

Puzzle totally off topic: I have often wondered, about the sad fate of the daughter of Agamemnon and Clytemnestra: "but if Diane feels the need to put a deer instead of Iphigenia is that after the sacrifice Iphigenia was to be eaten !? ". grécisant None of my knowledge has ever wanted, or knew, or could honestly answer that question. Here also, everything seems ready to cook ... If Iphigenia must die and basta, it was enough to remove it, at most, not to offend those who had made the trip, Diane could leave a letter ("Excuse me, I needed it to wash my hair" or something similar), or she could not leave something like a laptop damage technologically outdated for 24 hours, but why replace it with an animal for food, why? To avoid inadvertently changing the menu. Everybody was not a vegetarian in Mycenaean. And why

ME IF I am willing to devote myself to the sacrificial knife? By remorse.

I am mistaken, misunderstanding, I was wrong and I am bewildered, I was wrong (I also roamed) I am deluded, misguided, I was blinded, deceived, lured, I mixed the paint brushes, confused, confused ... verification of dates, due to the insistence by Pia offered me (in response to my last question) the name of Madame de Pompadour gave me, after some simple cross, track error. Anyway ...
Madame du Barry is NOT the dedicatee of the work. Stage directions attached to the wrong table on a book in 1926 mystified me. But Madame de Pompadour, I add at once, is not more than the poor countess and fact nobody seems to know where was the painting between the end of the Show (October 1763) and the year 1788, when the picture became the property of the Duke de Cosse Brissac, who offered it to his mistress ... Madame du Barry, along with her "during" entitled "Love fleeing slavery" whose reproduction is visible on the blogging (Message of July 19, 2008) and that the Duke had run into by Vien 1787-1788.
Madame du Barry did not become the mistress of Louis XV before 1766-67 and before arriving at this "position" (or if you want to this "job" ... these "functions" ?) she probably did not have access to the works listed as a painter Vien was at that time. There is also a detail-erotic culture - which I will discuss in the next post - which prevents them from thinking that the picture could have been produced with the intention of offering it to the Marquise de Pompadour. But there are few examples of the great painters of this century have executed large tables without first ensuring they are sold. Who commissioned or acquired "The market loves" in 1763? It will remain this mystery, because even the Reunion des Musees Nationaux de France does not know.

Will I be in a few days in New York where I get Surely after following the river Serchio floated on the Tyrrhenian Sea, past the Strait of Gibraltar and across the Atlantic on my bed turned into a ship by the waves of bitter tears I shed? Or I'll finish in the stomach of any one of my readers?

you later, so (I am talking only to my readers of the New World).
Your C.

Thursday, August 7, 2008

My Face Is Oozing Is That Acne

A train of compliments ...

For readers and readers of this blogging, Salve! A 'and those who offered their responses and that I have not yet responded, Hi!. (This incipit somewhat antiquarian suited to the topic, I might write Ave but not too much I want.)
Most responses were found, yet researchers have long rolled in thick fog of mystery ...

I begin by thanking Micol (reminiscent of his first name ... book "The Garden of the Finzi-Contini" of Giorgio Bassani, one of the writers that I am the true love .. .).
Micol took into consideration my lamentations ("never criticized" not the slightest correction!) and has conducted a rigorous review of blogging and (verbally) it has given me the results. Verbally ... So I can not transcribe his speech (all things considered it is perhaps better!?). So I corrected mistakes 4 Italian and 2 careless mistakes (ie Gallicisms of words or phrases most French - Gallic so to speak - than Italian) lost in my text italic. I am sorry that these corrections come so late, but I'm very pleased with fair my Italian writes.
I count change - always inspired by criticism of Micol - the presentation of messages. In the left column you will find, in the first illustration from the top, a list of labels that will be nothing but a list of topics (which will be: riddle number 1 answer to the puzzle number 1, Intermezzo, Elisa, etc). e you can, the clicking, deploy all content. However, on the right column will appear - if I can safely this result - a single text, the last posted. Micol merit thanks!?

And mistakes in French? Do not talk about: Having twists, sprains, dislocations and other offhand attacks that I suffer as my mother tongue, mmm ... avoid the subject.

At Manon C. I must apologize for having made him wait so long I think about his answers. Here they are, Manon.
Excerpt from Manon (available in full in the comments to the post of 23 July):

"... One suggestion: the painter would it not Vien ? (...) Other Answers escape me ... I should do research ... The dedication perhaps Ms. dB? BUT NO ... impossible ... "

Manon, for answering the first question without having the means of a search - as it was, at the date of his message (posted July 28), on holiday in Siena - Merit some congratulation. And if it evokes the dedicatee, using an enigmatic expression - which for me the flavor of the writings of Choderlos de Laclos or Madame de Genlis - is the Madam dB. which I think She will also find the answer to another question I asked.

I spend briskly comment Philippe who complimented me on my blogging (compliments of a special train left today) and I do not want to discourage return but whose vague answers lead nowhere. He suggests that this is a French painter (thank you for accuracy, we can remove the painters of all other nations) who worked on a topic Greco-Roman (certainty already gained from my directions ... we misread the blogging, Philip??) and deploys a charming fantasy about (or) ... dedicatee

For this decidedly unknown (this is indeed a woman) confuses: Pia , which - for the rest - I extend a sincere praise, give me an answer about this error by proposing Madame de Pompadour. Proposal that has yet his logic: Madame de Pompadour was indeed the patroness of Vienna. As Pia has stated (with a higher accuracy through the channel of my email address) the table entitled well "The market loves." The date of his exhibition at the Salon (1) is 1763. What is its execution to 1762. That aside, I can resist not pleased to publish another answer Pia (his entire message is also available in Post commentairesà July 28):

"- What is he exactly? " (this is the table, of course)
"I think it is inspired by a painting at Herculaneum was discovered in 1759, and it would Penia (mother / nanny loves) with the 3 forms of love (need, the desire, possession) to the goddess Venus and her friend Pitho, goddess of persuasion, in charge of making the right choice. I do not know if the author wanted to put another hidden meaning ... "

A better response than exact, reflecting the share of Pia capacity to carry out complex research and a shrewd mind (which is pretty rare).
The illustration at the top of this post is a reproduction of the mural, as described above , discovery in 1759 in a house that was named Arianna Villa because another mural y This represents Theseus abandoning Ariadne Woodcock (which would have done well to let him eat from the Minotaur he saw him immediately after they were lent to each other) . Villa Arianna is Castellammare di Stabia (ancient Stabiae ) near Ercolano Herculaneum in Gallic ; the mural, entitled, barely discovered "The venditrice di amori" (or sometimes "... di Amorini) was reproduced and engraved by Carlo Nolli, for a series of volumes published in 1761 (or 1762?). Judging by this engraving, not of ancient painting - he never saw his own eyes - that Vien executed the table. Vien How had he illustrated books by Nolli hands? What other hidden meaning can be attributed to his picture? As we said at the end of soap operas on the newspapers to a penny: I will provide details most pungent in an upcoming issue. Patience.

I thought that this response would be the last to reach me because it touches on ideas about love, about life, almost esoteric ... But it is nothing and you still have to find the identity of Ms. dB. I appeal to Manon (or other readers) so that it reveals his thinking, but anyway I'll give you the answer on Saturday. And who knows if my readers of the American West Coast and Germany, meanwhile, do not we offer? blogged on my visits to these remote drives, the card ClustrMaps (if! sic!) located all down the left column, is the faithful witness (I need to believe in ClustrMaps , otherwise what I think? pfffff ...).

Another information: I intend to enjoy my half-holiday to catch up this blogging on translations, answers, intermezzi, news from Elisa, etc. . Only after having filled the gaps that I repeat making new puzzles ... For both orally and in several quarters I have been lectured (I could write trounced but come to think of the swimming crab pleasure horses while ...) short ... Here are some excerpts of the speeches that were held me: "... We would like a bit of rigor and discipline" (this said with a stern tone and threatening) "The history of the stories in the history that goes pt'it a bit but there ... what a mess! this mess! do not push it ... etc, etc.. "
Being neither mood nor character to throw anyone in the fields of Urticaceae, I will bend, sheepish, and as far as I can, and the wishes of those who are led by the logic of austerity. Ah! If my readers were born in Samarkand, Aleppo, Alexandria, Egypt or Libya in Tripoli (no drive these countries on my blogging, I checked my clustrcarte ) I would not count with this distressing intransigence! Your
C.

(1) The Salon was the official exhibition of the painters of the Royal Academy of Painting. We named this exhibition becaufe Fair was held in the Salon d'Apollon in the Louvre. Starting from 1667 we find some stories from the reign of Louis XIV but only under the regency he became the rendezvous of the intellectual and artistic elite. It was held annually from 1737 to 1746. From 1746 and until 1791 he became, with biennial cadence, the status of important event for a company formed by Parisian aristocrats, bourgeois, artists and intellectuals. He opened the morning of August 25, day of Saint Louis and hosted the public until the end of September. Art criticism there nacquit with articles and letters from Denis Diderot to the salons visited it since 1759 until 1781.

A convoy of compliments ...


visitors and visitors of this bloggue, Hi! To all those who submitted their answers, Thanks! (This is a somewhat archaic but incipit in tone with the subject of this post, I wanted to write Ave but we must not be exaggerated .)

Many answers have been found, while the vast majority of readers and Readers swam or walked in the deep dark mystery ...

often start with Micol , thanks. (The name brings me back to the masterpiece of Giorgio Bassani, "The Garden of the Finzi-Contini" ed'altronde Bassani is one of the writers of which, for years, I remain faithfully in love). Micol, after having had the patience to listen to my complaints ("... never a criticism! Toh ... no one corrects me !...") examined with unflinching accuracy Italian texts and has given me, in hands, his opinion. Hands-free, so I can not bring back his words verbatim (maybe it's best!?) I, however, hastened to correct a half-dozen errors (including some Gaulish) lost in my prose Italic. I regret that these corrections are made so late but I'm very happy of their very low number!
Also thanks to Michal, I reflected on the presentation of messages and I decided that a small change will make it more readable bloggue: strip on the left, just below the first illustration, I will put the labels ; this list will be nothing but A list of topics and will present it this way: "Elisa", "Riddle # 1", "Replies", "Intermezzo ...", etc. . Other issues, of course, over time, appear in this list. On the right, where I write posts, I will try to ensure that it is deployed, open of bloggue, only the final text. Micol seems to me that has earned my heartfelt thanks . A

Manon de C. I instead of no less heartfelt apologies for my long-delayed response to his kind comments ... (see comment text of Manon at the bottom of the message of July 23). Here is the answer to my first question of Manon:

"... One suggestion: would it be Vien, the painter? (...) The other answers escape me ... I should do some research (I'm on vacation ... but ...). The person for whom it was painted the picture would perhaps Mme dB? Ma .. no ... impossible ... "

I offer my congratulations to Manon for answering without being able to use the tools of research: it was at present on holiday in Siena area, removed from libraries and cultural centers of its cities. And if his evocation, enigmatic scent of a Mme dB - I can think of some eighteenth-century novels - corresponds to the dB Mme. that really did make this work of Vien, Manon will also somehow answered the last question of the riddle.

thank Philippe for the appreciation expressed for the bloggue. I would not discourage it, Philippe; his proposals, however, for their imprecision, do not respond to any questions.
Philippe suggests that it is a French painter (of course ... you discard the painters of other nations, but this helps us?), Which would work on a theme greek-roman (this statement was part of the evidence proposed to me ... we need to read all the previous answers, dear Philippe) and shows a fascinating fantasy on the question of the Commander (Commander is also said ?)

work ... I would say that "Commander," even if the computer is me denied, because actually, this is a woman who for now remains a mystery. Pia I get to this point, each incorrect answer propose the name of Madame de Pompadour (the most famous mistress of King Louis XV). The proposal, however, has its own logic: the Marquise de Pompadour was the protector of Vien.

As Pia also states correctly, the picture was named "The Merchant of amours" (The selling of love - or of angels) and was exhibited at the Salon of 1763 . Journal of the Royal Academy Exhibition of Fine Arts, the Salon, an annual initiative at first, then two years from 1746 to 1791 was an exhibition of paintings that opened on the morning of the feast of the King, St. Louis, August 25 and lasted until approximately the end of September. The exhibition of the painting at the Salon of Vien allows its performance to date as possible in 1762.

And here's the latest response to Pia, on the true content of the work (the whole message of Pia in the comments at the bottom of the message of July 28):

"- what, exactly, (the painting) ?

I think that (comes) was inspired by a painting at Herculaneum, discovered in 1759, which would Pania (mother-nurse of the cupids) presenting various forms of love (need, desire, possession) to the goddess Venus and her accomplice Pitho goddess of persuasion responsible choice of the sound. I do not know if the author wanted to enrich the work of a hidden meaning ... "
(This answer, rather than right, testifies to complex research and shrewd by Pia ...).

In the top of the message, here is the Pia reproduction of the to which it relates in his commentary. digging was discovered in 1759 in a house that was named Villa Arianna, as there is another picture representing Theseus abandoned Ariadne on the island of Naxos. The Villa is in the territory of Castellammare di Stabia (ancient Stabiae ) near Herculaneum. The fresco, called immediately "The selling of love" (or "of angels" ) was detected and drawn on the field and the design was later recorded by Charles Noll, along with a wealth of other findings, a series of books published in 1761, '62 0.

was from Nolli engraving, which (who never saw the painting) executed the painting. How do you could examine the book with engravings by Carlo Nolli? There is one (or more) sense (i) hidden (i) in the scene painted by Vien?. Answers in the next episode, as we wrote at the end of Appendix novels. I sincerely

that this aspect of the mystery was the last to be revealed, it was already almost esoteric content, linked to lesser known aspects of greek mythology and thought ... But the question that remains unanswered is the identity of Madame dB. If Manon (or someone else, or other) does not reveal the name of living to which he thinks, will give you in every way to the fifth key to the enigma.

Or perhaps some readers of California or the closest Germany we propose: the clustrmaps (written as well!) Recently added at the bottom left of the screen and silent witnesses of their regular visits to this bloggue.

Finally an announcement: I shall take advantage of my half-holiday to fill the gaps in the topics covered. There will be another puzzle immediately, but will write and propose during the month of August, documents and pieces about the characters and themes that already, imaginatively inhabit our dear ...
your bloggue C.