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Solving the riddle number 1

bonne réponse à la seconde the enigma que je vous est arrivée sur le proposais bloggue, commentateur venant du même, grâce my interviewer qualities (well? A blogging is it not better to get to know?) I discovered his identity on a network that is common to us - and indeed, until present (sigh!) provides too few visitors to this site. This young Hercules loves boxing (and probably practice this noble art ) and, neglecting neither painting nor the neo-classical opera pre-Romantic, ironically pushes some ideas. I found more answers in my email, the correct one (not many) other ... distressing. Ah! Do not talk! I'm surrounded by lights (I mean scholars) and reality around me it's obscurity ... We'll see with the next puzzle is more difficult for me.

groaned Enough! I admit that all is not sad in the state of blogger: I laughed when reading some messages. I chose to ignore the excessive caution of those who responded privately, and do you book the answer that was yesterday, at 20:38, posted here by Christopher:

"Reference to Zaire is clearly misleading, but interesting, since it contains so easily which is the portrait ... Giuseppina Grassini. And the work is therefore entitled "Giuseppina Grassini in the role of Zaire" painted 1804 (1805 according to some sources ...)"

Beautiful, is not it? The answer is to particularly interesting because it alludes to the question of the dating of the table (and indirectly the problem of the dating of the opera Zaire) on which I intended to write a text.

The second comment ... no comment! (gentle breeze).

And now that I post it?
Before returning to Elisa, I will add some light to dark lights that surround this portrait Giuseppina Grassini. I now find myself in the position of a storyteller East: I have proposed a riddle, you resolved it, my duty is to tell the story, and stories in history, and stories in stories in history. Where do I start? And how to untie the knots that enserpentent all relationships between the characters?

And the image at the top of this post? It
"Coronation of the bust of Voltaire by the actresses and actors of the French Comedy March 30, 1778" (at the end of the sixth performance of Irene , another bloody tragedy of Voltaire!). It is a engraving work of incredible refinement of Charles-Etienne Gaucher, run from a drawing by JM Moreau "le Jeune". The next time I publish a charming detail (hint: do not believe too much in my "next time" because I might be distracted by other ideas or projects on this blog). In the Italian version of this post (above) you see an ironic version and anonymous: the crowning of the old poet by Harlequin, testimony of the war between for nearly two centuries in both Paris and French troops Comedians Italian Comedians .

It symbolizes my praise to Christopher? No, it foreshadows my next post on the Zaire of Voltaire (we must start somewhere). Your
C.

Postscript 1 ( eh, yes, you've noticed? Invent words!): ... "The dark lights", remember? It's ... ? De ..? Of Corneille, Pierre (as we say in government). Pierre Corneille! But of course! Yes ... but what else? This is the beginning of the story of the battle the Cid wins over the enemies of his country, historically, erm, well, what to say ... Would there but poetically, musically! For those who, like me, through the years have felt bitter or sweet at least once in them, like an echo, like a wave, beat the drum of this story of blood and terror, some here to:

... This dark brightness that falls from the stars,
Finally, with the flow showed us thirty sail,
The wave swells below and, by common effort,
The Moors and ascend unto the sea port.

We let them pass, everything seems quiet ...

(Le Cid, circa 1273 to 1277)

And who would find the whole speech, and Cid all of our youth with the memory of Gerard Philipe, see the column left, media-library for me to surrender.

Postscript 2: to illustrate the Italian version of this post I inserted above an engraving dating from March 1778 and represents the same event in an ironic version which explains the anonymity of the author (Voltaire had powerful friends). Under the stage, reduced to a bust of the old philosopher surrounded three Italian actors, these two lines:

"It is nice to receive
When Harlequin who gives it."

this is the laurel wreath of course ... an allusion to the critical presence of various members of the nobility (among which the young Count d'Artois, brother of the king, the future Charles X) in this symbolic coronation. Burning is also a document of the ruthless war that pitted for nearly two centuries the troupe of Italian comedians than the French Comedians, a conflict that will end in the hurly-burly with the revolutionary suppression of monopolies of these troops in the field and the opening of many theaters (but not the suppression of censorship ...).

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half an answer ...

Marie Louise Elisabeth Vigee-Lebrun - Self Portrait

Today at 18:00 PM (I feel a duty to be exact) a timid response is received on the blog, which reads as follows:

Hmm ... I would say Elizabeth Louise Vigee-Lebrun, right?

How "no"? Yes. Bravo.

was the painter's name ... and the subject of the work? Who is it? What is his name?
How easy it is at this point, understand that the work is a performer, I add it as a singer (my reference to Zaire was a trap, it s would not apply to the part of Voltaire but an opera). But this is not "Signora Banti, little insolent, ignorant and stupid" as written Lorenzo Da Ponte in her memoirs, referring not to the physical but caractère de cette disgracieuse diva ( Ne serait-ce pas Banti ? autre piège dans lequel quelqu'un (e) n'a pas manqué de Tomber). Votre C.

Half a response ...

Today at 18:00 PM (I feel the need to be precise), one timid response I received on the blog, the translate and communicate (in the event you are not yet able to open the box, "comments" at bottom of post):

Hum ... I would say Louise Élisabeth Vigée-Lebrun, no?

As a "no"? Yes Bravo.

So we have the name of the artist ... and that the person depicted? At this point you understand that this is an artist of the scene. What scene? The opera house, opera. It's a singer - a virtuoso singing they said. I allude to this was a trap Zaire: Zaire, the only known remains that play, written by Voltaire. But in this case, our singer was wearing the robes of the interpreter's main eponymous opera (completely forgotten, however, but ...) created in 1804.

is not the Banti "femminaccia this ignorant, foolish and insolent" (met, of course, a lot of quality) as written by Lorenzo Da Ponte in his Memoirs ( that it was the Banti ? other trap that other body (e) have fallen). Your C.

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Silence on the Net?

Mon Petit Doigt Electronique (a beau nom pour un software!) M'a dit que depuis dimanche soir, au moins 50 personnes sont venues, ont vu and came away without a response to the questions I posed in the previous post: who is the painter of the table attached to the message? Who is the person? And yet, directly to my email address last night, in a form somewhat enigmatic but leaving no room for doubt, the right answers I received, thank you Pia (thank you for not having published a commentary, which that The Show Goes On and I receive email messages per overflowing of unintentional humor).
About the blog itself you are just a (s) wrote to me - always through my email address - that "BRAVO!" LOVE " (it comes from France or Switzerland) or that " Brava! Mi piace parecchio " (I'll let you guess where it came from). I am therefore inclined to think at my email box full and empty my blog:
1 / that the system of direct answers on the blog by the channel input does not work. I should mention that it only takes a click on the word how, a word of Italian vocabulary certainly, but still comprehensible to all francophones over the age of 6 years.

and 2 / that the courtesy (or indifference) of those who do not like this blog is no longer an empty word. Do I look so fragile that the writing (and polite and measured, however I doubt it) you disagree with me would be unbearable? No-no, you can go: "Vieillot, antique, not worthy of you looking graphics (no, not that it would be almost a compliment ...), not connected to one euro cent ( or even for a penny ad libitum ) etc., etc... "

back to our table (which is not a shepherd idyl, so I will not mention sheep or the sheep). Today I give three new indices:

- The artist who painted neither Ingres or David, reached a neo-classicism of its own (also it is sometimes called the late rococo painter ...) through other masters as Joseph-Marie Vien and Jacques-Louis David himself (who was the master of Ingres).

- I quote (from the chronicles of the year 1790) Memoirs of our mysterious artist as they say in the pages of journals games Crossword:

... One of my pleasures (...) at Rome, was to hear that music, and certainly did not lack opportunities. The famous Banti was there during my stay. Although she had sung several times in Paris, I'd never heard, and I had this pleasure in a concert which gave a huge gallery. I do not know why I had figured it was a prodigiously large size. Instead it was very small and very ugly, with so much hair that her hair looked like a horse's mane. But what a voice! it has never existed for such a force and scope; the room, it was all great, could not contain it. The style of singing, I remember, was absolutely the same as that of the famous ... Pachiarotti

- The costume of the young woman is the Zaire.

I no longer doubt receive, absolute minimum, fifty responses. Your C.

Postscript (this is the case to say!): We better understand the last sentence of the quotation if I add that the picture accompanying this post is that of Gaspare Pachiarotti (1740-1821), one of the last castrati, a voice that rivaled those of sopranos. Sometimes found his name written Gasparo et son nom écrit Pacchierotti . Voyez dans la Colonne de gauche pour des articles et des livres sur ce chanteur des Adoré Romaines et des vénitiemes.

Silence on the net?

My personal Jiminy Cricket (good name for a software!) Told me that from Sunday evening onwards, at least 50 people came, they saw and have gone away without leaving any answers to the questions I asked in my second post (I repeat: who painted the picture attached to the message? What is the name the person represented there and what was his job?). Last night, however, in my inbox, I received a message too cryptic. But I had no doubts: Pia knew the right answers! Thanks Pia for not having sent a comment and let the entire riddle remained still for a moment: the show goes on and .

About this blog, some (s) you have written to me directly, "Bravo, I really like" (this from Italy of course) and that "BRAVO! J'Aime BIEN! "(I'll leave you to guess where ...). Do I have to convince me:

1 / that the system of direct answers on the blog (the so called "comments" under each of my message, from clicks to communicate with me, reply to the post, etc..) Does not work.

and 2 / that the courtesy (or indifference) of those who do not appreciate my hard work has reached a peak. I appear so weak that reading one of your negative opinion of me would be unbearable? No-no! You can let off steam: "is too old-fashioned, not a shred of modernity, no graphics worthy of your resume (no, not that: it is almost a song of praise)," and so on demolishing strongly (but politely, I recommend) my attempt ... Back

enigma, we return to our picture, our (painter), and our subject today, feeling in the mood of generosity, I offer three new clues:

- the painter is not Ingres, is Jacques-Louis David (put my name to differentiate it from David d'Angers), did not have as a teacher nor is it (was the case of David) or David (like Ingres). His way - to me somewhat but I am not a neo-classical art critic - is called by some critics of the late rococo .

- now I propose to you a passage from his diary (since 1790):

"... One of my pleasures (...) in Rome, was to hear the music, and certainly the opportunities are not missed. The famous Banti was there during my stay. Although she has sung several times in Paris, I had never heard and I this enjoyment to a concert he gave in a huge room. I do not know why I imagined the prodigious height. On the contrary, was very small and very ugly, having a quantity of hair that resembled his bun Criner of a horse. But the voice! It was never a similar power and the extension of the weaving, the room for it to be huge, could not contain. The style of her singing, I remember, was exactly the same as that of the famous Pachiarotti ... "

- the costume of the woman depicted is what worked in the role of Zaire.

Now I have no doubt receive a lot of answers, at least 50. Your C.

Postscript: we understand better the end of the quote if I add that Pachiarotti (1740-1821) was one of the last castrati. His name is reported that once Gaspar, at other Gasparo. His surname is also written with the spelling Pacchierotti . You see on the left side of the screen, the references to some articles and books on the singer.

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Who then is this a portrait? Who painted it?

The image here shows the section "personal information" - the world-appelons avatar - n'est qu'un détail d'une Esquisse preparatio au tableau que je joins à ce texte. Bien que réduit, The chart now appears in its entirety. You can not analyze the brushstroke, hand of the painter, but I'll give you some clues ... until a visitor cunning, obstinate and / or grown in discovering and tell us the origin, subject and author.

first clue.
Watch the costume of our subject. It is more theatrical than princely: along shawll (that's how they wrote the word shawl jsuqe circa 1830) of amaranth red cashmere turban and matching were certainly fashionable in years but the veil of the Consulate escaping, and the scenery even with her ample draperies have something scenic. Another clue: the handkerchief that the young woman holds in her left hand.

Finally, two or three things on his painting: famous artist of his time and still today a French citizen, has made long trips to Europe for political reasons, painting the world leaders in Naples , Rome, Milan, Vienna, Moscow, Berlin, London ... and I forget ... voluntarily. So? Your C.

Ecco il ritratto di ... ? E chi l'ha Dipinto?

cha It appears in the "personal information" - call it my avatar - is nothing more than an outline of the picture I have added to this second post . The picture is full but that will not get you judge by ridotissimo hand and brush strokes. I will give some clues ... hoping cunning, obstinacy and / or culture of some visitors that will include in its commentary the name of the person represented and that of the painter ...
Here: First, look closely at the clothing of the young woman . The long shawll cashmere (in color between the brick el ' amarante ) very upset and went out of fashion during the years of the Consulate (1799-1804) but the veil that goes down and the scenario dall'acconciatura majestically draped behind him, there appear to be very dramatic? Another clue (I'm generous) is the handkerchief that she held in her left hand.
Who painted this picture was French, famous in his time (and today), had (for political reasons) away from France. He has painted celebrities in Naples, Rome, Vienna, Moscow, Berlin, London ... and not giving you the full list ... intentionally. So? To you. Your C.

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My first post ...

My first post will be dedicated to Elisa Bonaparte ... you see to the right length portrait by the painter William Guyon-Lethière. Elisa, sister of Napoleon Bonaparte, that did not live balls and representation, she ruled territories Italy 4: Piombino, Lucca, Massa and Carrara, Tuscany. I worked almost a year on the biography of Elisa, the history of his government and I'm not finished. But I need some time to write summaries ad usum bloggum . I do not want to drown ... in the thousands of pages of my doc. Well, write short texts or long and you tell me the News by post (e). Go! this will not be that long ...
The relationship with the theater? Everything is working for a theater piece that combines music and dance which Elisa will - if I arrive at the end - the protagonist ... with Paganini and others - lesser known - and I will also talk about ... I feel that this will be long. Paganini and why? I'll post a about Elisa and Paganini. And again, the painting's history of Guillaume Guillon-Lethière not uninteresting information ...? comments? I hope we have not had the time to read each other. C.

Primo messaggio ...

That very first message of my first blog is dedicated to Elisa Bonaparte ... of which, above you can see the portrait with the Great Court dress, painted by Guillaume Léthières-Guyon. Elisa, the sister of Napoleon, not only lived to dance and official representation. It was the government's four Italian regions: Piombino, Lucca, Massa-Carr and Tuscany. I worked for almost a year on the biography of Elisa and the history of his government and I'm not done. But it takes me to say something in this blog, the time to write some short ad usum bloggum . And I do not want to drown in the thousands of pages of my documents! Okay, write long or short texts, illustrated with pictures and sounds - as long as I can - and will ask you to leave your comments. It will not be long until the next post ...
a relationship with the theater? All this work of documentation and understanding of the soul of Elisa and her entourage I do to process the text and the direction of a script that will bring together text, music and dance and of course that will host ... with Elisa Paganini and other characters lesser-known of which you speak, you write ... because Paganini? I'll do a post on the relationship between Elisa and Paganini. Much has been said about it ... and so many rumors ... And now that I think the painter, Guillaume Guillon-Léthières he has a history very, very interesting. Do not make me miss your information, your comments. Ah! I feel that we have not finished reading each other. Your C.